{"id":1922,"date":"2025-05-16T21:26:02","date_gmt":"2025-05-16T18:26:02","guid":{"rendered":"https:\/\/rach-c.org\/?p=1922"},"modified":"2025-05-16T21:26:03","modified_gmt":"2025-05-16T18:26:03","slug":"a-vibrant-field-nature-and-landscape-in-soviet-nonconformist-art-1970s-1980s","status":"publish","type":"post","link":"https:\/\/rach-c.org\/ru\/2025\/05\/16\/a-vibrant-field-nature-and-landscape-in-soviet-nonconformist-art-1970s-1980s\/","title":{"rendered":"A Vibrant Field: Nature and Landscape in Soviet Nonconformist Art,\u00a01970s-1980s"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_image src=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.27.4&#8243; _dynamic_attributes=&#8221;src&#8221; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><em>A Vibrant Field: Nature and Landscape in Soviet Nonconformist Art<\/em><em>, 1960s-1980s<\/em>\u00a0is the first exhibition at the Zimmerli Art Museum to explore the wide range of meanings that the natural world held for unofficial artists in the Soviet Union. Drawn from the strengths of the Dodge Collection, the exhibition brings together works produced in the period between\u00a0<em>thaw\u00a0<\/em>and\u00a0<em>perestroika\u00a0<\/em>that challenged the link between nature, optimism, and progress, which socialist realist aesthetics had promoted. Approximately fifty objects across media are featured, including painting, sculpture, works on paper, photography, and performance, by more than twenty-five artists and artist groups from the Soviet republics of Estonia, Latvia, Lithuania, Russia, and Ukraine. Despite the artists\u2019 diverse backgrounds and creative approaches, together their works establish nature as a vibrant subject matter, push the boundaries of landscape as a genre, and limit the appropriation of landscape imagery in the name of socialist ideology. In turn, the status of nature in late socialism, and one\u2019s individual or collective place within it, is explored as an open\u2013and vital\u2013question.<\/p>\n<p><em>A Vibrant Field<\/em>\u00a0assembles varied perspectives, vantage points, and orientations that underlie how one experiences nature, both in the physical sense of navigating nature as a real environment and in the conceptual sense of coming to know, describe, represent, or assign it with symbolic value. The exhibition is mapped along three principle zones of inquiry. The first,\u00a0<em>Visions,<\/em>\u00a0draws together work that takes to task the process of visualizing spaces in nature in order to elucidate, reimagine, or critique how humans relate to or inhabit them. In this section, particular attention is paid to works that highlight ecological concerns resulting from the exploitation of natural resources and rapid pursuit of industrialization in the Soviet Union. In\u00a0<em>Reflections,\u00a0<\/em>artists place less emphasis on the material landscapes in nature than on how they become a picture and the role of artistic convention, memory, and ideology in mediating this process. Finally,\u00a0<em>Encounters<\/em>considers the emergence of land art and performance-based practices in nature in the 1970s and 1980s that provided a freer alternative to urban communality, ritual, and public space in the Soviet Union. Through their direct encounters with the land, artists in this section approach nature not only as a subject matter or a backdrop to their work, but in some cases as an actor or co-producer.<\/p>\n<p>Organized by Anna Rogulina, a Dodge-Lawrence Fellow at the Zimmerli and Ph.D. student in the Department of Art History at Rutgers.<\/p>\n<p>Address:\u00a0Dodge Gallery (Lower Level), 71 Hamilton Street, New Brunswick, NJ 08901.<\/p>\n<p><strong>Image:<\/strong><span>\u00a0<\/span>Elena Gritsenko,\u00a0<i>Landscape<\/i>, 1976. Oil on canvas. Zimmerli Art Museum at Rutgers University, Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. Photo Jack Abraham.<\/p>\n<p><strong>Related Programs<\/strong><\/p>\n<p><strong>Wednesday, March 29 \/ Tour, Film, and Reception<\/strong><br \/>4:30pm: Tour of\u00a0<em>A Vibrant Field<\/em>\u00a0by the exhibition curator, Anna Rogulina<br \/>5:30pm: Screening of the 2015 award-winning documentary film\u00a0<a href=\"http:\/\/thebabushkasofchernobyl.com\/\"><em>Babushkas of Chernobyl<\/em>.<\/a><\/p>\n<p><strong>Thursday, April 20 \/ Distinguished Lecture and Reception<\/strong><br \/>4:30-6:30pm: Dr. Jane Costlow, Clark A. Griffith Professor of Environmental Studies at Bates College, Lewiston, Maine, explores the subject of nature imaginaries in Soviet literature and visual culture.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Vibrant Field: Nature and Landscape in Soviet Nonconformist Art, 1960s-1980s is the first exhibition at the Zimmerli Art Museum to explore the wide range of meanings that the natural world held for unofficial artists in the Soviet Union. <\/p>","protected":false},"author":3,"featured_media":1926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-1922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2017-history-month"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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